A Line of Force

force-failure_1-1

A Line of Force

arduino, grasshopper, firefly, java, plywood

status : on-going

Visualizing the threshold of failure

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More Work

Architecture


  • Wichita Mobile Clinic

    anadarko, oklahoma

  • SA Architects

    cranston, rhode island

  • OKC Greenhouse

    oklahoma city, oklahoma

  • Pawtucket Day Nursery

    pawtucket, rhode island

  • Meeting Street Center for Excellence

    providence, rhode island

  • Norterly Island Nature Center

    Chicago, Illinois

  • National Institute of Flamenco

    old town plaza, santa fe, new mexico

  • Corrales Comunity Pathway + Pedestrian Park

    corrales, new mexico

  • CRCUIT

    albuquerque, new mexico

  • The Construction of Art

    providence, rhode island

  • Santa Fe Univeristy School of Fine Arts

    Santa Fe, New Mexico

Design + Fabrication


  • Flatpack Foldable Structural Connections

    rhino, grasshopper, mild steel

  • Renegades

    Fred Jones Jr Museum of Art

  • Surface Flux

    python, c#, grasshopper, pla, wood, steel

  • Carbon Fiber Connections

    grasshopper, rhino, pla, carbon fiber

  • Acoustic Diffusion Panel

    grasshopper, rhino, cnc, rigid insulation

  • Hyperbolic Bending

    grasshopper, rhino, laser cut acrylic, bristol board

  • Filtration : Infiltration

    python, grasshopper, rhino, 3d printing

  • Recursive Paneling

    laser cut mylar

  • Sweet Crude

    python, c#, grasshopper, wood, plasti-dip, carbon, gelatin

  • Ruling Lines

    laser cut cell cast acrylic, stainless steel braided wire

  • Volumetric Aggregations

    processing, grasshopper, rhino, cast acrylic, black walnut, hickory

  • Cellulose Bookcase

    pine, black walnut, compressed wood fiber board, stain

  • Asher Chair

    rhino, pla, birch plywood

  • Andraditic Mass

    arduino, firefly, rhino, 3d printed pla, baltic birch plywood

  • Cholla

    grasshopper, rhino, black walnut

  • Folding Attractors

    grasshopper. rhino, white museum board

  • Grain Chair

    rhino, cnc milled birch plywood

  • Tracking Parallelograms

    grasshopper, rhino, hickory

  • Infiltration Table

    processing, spalted birch plywood, poplar, enamel, lacquer

Art + Code


  • Prairie Fire

    acrylic, ink, plywood

  • Surface Flux

    python, c#, grasshopper, pla, wood, steel

  • Dixieland Death Cult

    acrylic, plywood

  • Approximation of a Generation

    private tremendous

  • Elemental Worlds

    science museum oklahoma

  • Gonzo Cubes

    solidity, html, css, javascript, illustrator

  • A Line of Force

    arduino, grasshopper, firefly, java, plywood

  • The Drift

    html, css, javascript

  • Gear Institute

    illustrator, photoshop, php, css, html

  • Prism

    unity, c#, spine2d, illustrator

  • Squall

    petroglyphs national monument, albuquerque, new mexico

  • Galileo’s World Interactive

    c#, unity3d, illustrator, photoshop

  • Steel + Light

    convergence arts festival masterworks project, providence, rhode island

  • The God of Skiing

    book design

© [wpsos_year] Ken Marold USA, Inc. All rights reserved.

Continue reading

Squall

F08CECF8-EDEF-6DE2-3813A687877B682F

Squall

petroglyphs national monument, albuquerque, new mexico

status : complete

GPS, Geo-tagging, Mapping, Digital Imaging

Project Overview
Squall examines the fragile relationship between environment and unchecked suburban sprawl at the edge of Albuquerque, New Mexico. The project stages a confrontation between landscape and development by “writing” onto the land itself — embedding a geo-tagged message across the terrain through a sequence of GPS points. When connected, these coordinates reveal a text-based intervention overlaid onto aerial and satellite imagery, confronting viewers with the storm-like advance of suburban expansion into fragile ecological and cultural territory.

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Context and Site
The project is situated at the boundary of Petroglyph National Monument and Petroglyph Estates, a master-planned subdivision emblematic of contemporary sprawl. Petroglyph National Monument protects over 24,000 images carved into volcanic rock, created 400–700 years ago by the ancestors of today’s Pueblo people and later by Spanish settlers. It is among the largest and most significant petroglyph sites in North America. In stark contrast, Petroglyph Estates represents the rapid, homogenized spread of suburban housing, encroaching upon a landscape that holds both cultural and ecological significance.

Methods and Strategy
Using handheld GPS devices, coordinates were systematically dropped across the suburban fringe, within streets, cul-de-sacs, and open spaces surrounding Petroglyph Estates. When plotted and connected, the points form a large-scale word across the landscape, visible in mapping software and satellite imaging. This geo-tagging method transforms suburban space into a charged surface for inscription, mirroring both ancient acts of carving into volcanic stone and contemporary acts of marking through digital coordinates.

Conceptual Framework
The work highlights a clash of temporalities and values: the permanence of petroglyphs etched into stone versus the transience of asphalt, drywall, and speculative development. Just as a sudden squall brings turbulence and change, suburban growth operates as a stormfront sweeping across the desert, consuming open space and eroding cultural memory. By inscribing a message at territorial scale, Squall calls attention to this encroachment while also questioning how technology mediates our understanding of land, boundaries, and heritage.

Impact
Squall is both a critique and a proposal. It critiques the ease with which suburban frameworks overwrite cultural landscapes, reducing them to backdrops for housing tracts. Simultaneously, it proposes a method of resistance: geo-tagging as an act of contemporary inscription that reclaims spatial agency. In doing so, the project transforms mapping into a form of cultural commentary, revealing the storm of sprawl as not only a physical condition but also a narrative inscribed into land and memory.

Conclusion
By overlaying digital coordinates onto terrain marked for centuries by indigenous petroglyphs, Squall underscores the fragility of cultural and ecological landscapes under pressure from suburban expansion. It positions technology as both witness and participant in this conflict, turning data into a form of drawing and mapping into a mode of resistance. The project invites reflection on the cumulative impact of growth and the need for more deliberate, culturally informed approaches to land stewardship.

More Work

Architecture


  • Wichita Mobile Clinic

    anadarko, oklahoma

  • SA Architects

    cranston, rhode island

  • OKC Greenhouse

    oklahoma city, oklahoma

  • Pawtucket Day Nursery

    pawtucket, rhode island

  • Meeting Street Center for Excellence

    providence, rhode island

  • Norterly Island Nature Center

    Chicago, Illinois

  • National Institute of Flamenco

    old town plaza, santa fe, new mexico

  • Corrales Comunity Pathway + Pedestrian Park

    corrales, new mexico

  • CRCUIT

    albuquerque, new mexico

  • The Construction of Art

    providence, rhode island

  • Santa Fe Univeristy School of Fine Arts

    Santa Fe, New Mexico

Design + Fabrication


  • Flatpack Foldable Structural Connections

    rhino, grasshopper, mild steel

  • Renegades

    Fred Jones Jr Museum of Art

  • Surface Flux

    python, c#, grasshopper, pla, wood, steel

  • Carbon Fiber Connections

    grasshopper, rhino, pla, carbon fiber

  • Acoustic Diffusion Panel

    grasshopper, rhino, cnc, rigid insulation

  • Hyperbolic Bending

    grasshopper, rhino, laser cut acrylic, bristol board

  • Filtration : Infiltration

    python, grasshopper, rhino, 3d printing

  • Recursive Paneling

    laser cut mylar

  • Sweet Crude

    python, c#, grasshopper, wood, plasti-dip, carbon, gelatin

  • Ruling Lines

    laser cut cell cast acrylic, stainless steel braided wire

  • Volumetric Aggregations

    processing, grasshopper, rhino, cast acrylic, black walnut, hickory

  • Cellulose Bookcase

    pine, black walnut, compressed wood fiber board, stain

  • Asher Chair

    rhino, pla, birch plywood

  • Andraditic Mass

    arduino, firefly, rhino, 3d printed pla, baltic birch plywood

  • Cholla

    grasshopper, rhino, black walnut

  • Folding Attractors

    grasshopper. rhino, white museum board

  • Grain Chair

    rhino, cnc milled birch plywood

  • Tracking Parallelograms

    grasshopper, rhino, hickory

  • Infiltration Table

    processing, spalted birch plywood, poplar, enamel, lacquer

Art + Code


  • Prairie Fire

    acrylic, ink, plywood

  • Dixieland Death Cult

    acrylic, plywood

  • Approximation of a Generation

    private tremendous

  • Elemental Worlds

    science museum oklahoma

  • Gonzo Cubes

    solidity, html, css, javascript, illustrator

  • Surface Flux

    python, c#, grasshopper, pla, wood, steel

  • A Line of Force

    arduino, grasshopper, firefly, java, plywood

  • The Drift

    html, css, javascript

  • Gear Institute

    illustrator, photoshop, php, css, html

  • Prism

    unity, c#, spine2d, illustrator

  • Squall

    petroglyphs national monument, albuquerque, new mexico

  • Galileo’s World Interactive

    c#, unity3d, illustrator, photoshop

  • Steel + Light

    convergence arts festival masterworks project, providence, rhode island

  • The God of Skiing

    book design

© [wpsos_year] Ken Marold USA, Inc. All rights reserved.

Continue reading

Steel + Light

Untitled-1

Steel + Light

Convergence Arts Festival Masterwork

providence, rhode island

status : complete

A collaboration with Hogan + Macaulay Architects, this project was conceived as a cinematic montage that explores the use of light as a medium to ‘drape’ imagery across the Providence Hurricane Barrier.

The imagery selected and the compositional choices made for this exhibition included body parts, such as arms, hands and faces, as well as photographs of dancers juxtaposed with more abstract imagery. The entire exhibit was initially simulated on formZ using the exact lighting specs, distances, surrounding light pollution levels, and physical properties to gain insight on our design choices but also to point out any environmental factors that might challenge our preconceptions.

The goal was to create a visual dialog between projected elements of the human form and the highly engineered structural elements of the Hurricane Barrier. The result exceeded our expectations as the dual 12,000 lumen light canons cast intensely vibrant imagery upon the Hurricane Barrier’s three story volumes and lacy structural assemblies, cutting through lightly foggy fall nights over the Narragansett Bay.

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More Work

Architecture


  • Wichita Mobile Clinic

    anadarko, oklahoma

  • SA Architects

    cranston, rhode island

  • OKC Greenhouse

    oklahoma city, oklahoma

  • Pawtucket Day Nursery

    pawtucket, rhode island

  • Meeting Street Center for Excellence

    providence, rhode island

  • Norterly Island Nature Center

    Chicago, Illinois

  • National Institute of Flamenco

    old town plaza, santa fe, new mexico

  • Corrales Comunity Pathway + Pedestrian Park

    corrales, new mexico

  • CRCUIT

    albuquerque, new mexico

  • The Construction of Art

    providence, rhode island

  • Santa Fe Univeristy School of Fine Arts

    Santa Fe, New Mexico

Design + Fabrication


  • Flatpack Foldable Structural Connections

    rhino, grasshopper, mild steel

  • Renegades

    Fred Jones Jr Museum of Art

  • Surface Flux

    python, c#, grasshopper, pla, wood, steel

  • Carbon Fiber Connections

    grasshopper, rhino, pla, carbon fiber

  • Acoustic Diffusion Panel

    grasshopper, rhino, cnc, rigid insulation

  • Hyperbolic Bending

    grasshopper, rhino, laser cut acrylic, bristol board

  • Filtration : Infiltration

    python, grasshopper, rhino, 3d printing

  • Recursive Paneling

    laser cut mylar

  • Sweet Crude

    python, c#, grasshopper, wood, plasti-dip, carbon, gelatin

  • Ruling Lines

    laser cut cell cast acrylic, stainless steel braided wire

  • Volumetric Aggregations

    processing, grasshopper, rhino, cast acrylic, black walnut, hickory

  • Cellulose Bookcase

    pine, black walnut, compressed wood fiber board, stain

  • Asher Chair

    rhino, pla, birch plywood

  • Andraditic Mass

    arduino, firefly, rhino, 3d printed pla, baltic birch plywood

  • Cholla

    grasshopper, rhino, black walnut

  • Folding Attractors

    grasshopper. rhino, white museum board

  • Grain Chair

    rhino, cnc milled birch plywood

  • Tracking Parallelograms

    grasshopper, rhino, hickory

  • Infiltration Table

    processing, spalted birch plywood, poplar, enamel, lacquer

Art + Code


  • Prairie Fire

    acrylic, ink, plywood

  • Surface Flux

    python, c#, grasshopper, pla, wood, steel

  • Dixieland Death Cult

    acrylic, plywood

  • Approximation of a Generation

    private tremendous

  • Elemental Worlds

    science museum oklahoma

  • Gonzo Cubes

    solidity, html, css, javascript, illustrator

  • A Line of Force

    arduino, grasshopper, firefly, java, plywood

  • The Drift

    html, css, javascript

  • Gear Institute

    illustrator, photoshop, php, css, html

  • Prism

    unity, c#, spine2d, illustrator

  • Squall

    petroglyphs national monument, albuquerque, new mexico

  • Galileo’s World Interactive

    c#, unity3d, illustrator, photoshop

  • Steel + Light

    convergence arts festival masterworks project, providence, rhode island

  • The God of Skiing

    book design

© [wpsos_year] Ken Marold USA, Inc. All rights reserved.

Continue reading